I loved the first season of Desperate Housewives
. When certain prissy types were criticizing the show for having the leads parade around too often in revealing lingerie, I defended them. I even played defender once on a TV cable news show against some woman who was complaining that the women of Wisteria Lane were leading us straight to hell. I didn’t think so. In fact, since the show launched during the campaign of 2004 and I was sure that at least three of the four leading characters were typical “Security Moms,” the kind who would have voted for George W. Bush.
My, my, looking back, weren't those innocent days and innocent housewives? Certainly the television reality shows about the real housewives of Beverly Hills, Manhattan and Atlanta portray a far more unsavory bunch than the characters played by Marcia Cross, Terri Hatch, Felicity Huffman and Eva Longoria.
But sometime in season two or three the "Housewives," lost me as well as a good segment of their audience. The show just wasn’t very good any more. It seemed like an over-complicated and kind-of-dumb soap opera, too hard to follow and not worth trying. And the real sub-text of the show, about the friendships of women and the concern mothers have raising kids in challenging times seemed to disappear with the Byzantine plot lines.
But for some reason I have wandered back. Maybe because its nine to ten time slot was a perfect lead-in to “Mad Men,” the only show I have considered “appointment TV” for the last couple of seasons. Unfortunately “Mad Men” was a lot weaker this season than last. It became so languid that the series’ story line and its main character, the extremely dishy Don Draper, both seemed to fade away. Even the Cuban Missile Crisis , the background to several episodes, didn’t energize ”Mad Men” very much. While “Housewives” have come roaring back. Its ratings have zoomed up. Heck, even my husband has started watching.
The trick of the show is that it has moved ahead five years and the women are dealing with the problems of teen-age and adult children, which-- take it from one who knows--- is much more complex than dealing with younger kids, no matter how bratty they can be. Biggest change is the character Gabrielle, the super-attractive Eva Longoria plays. In the past, she was gorgeous and greedy. Now, without make-up and with padding--- though red-carpet rumors has it she has really packed on a few pounds--- she is a dumpy, bedraggled mom, saddled with two kids, a disabled husband, and a lot of money worries. In a way, she was always the most interesting character on the show, as she reflected those shopaholic times. Now she, scrounging for cash for the grocery bills, reflects these times. Rather prescient of writer and “Housewives” creator Marc Cherry who conceived of this season’s episodes last spring when the economy still seemed okay.
All the actresses in the show seem better than ever and each has a more interesting story line. The show has also added some supporting characters including the very appealing Dana Delaney and, this season, Lily Tomlin Edy, the witchy girl-next-door, played by Nicolette Sheridan was the divorcee among the housewives. She was always on the look-out for a guy, even a neighbor’s husband, but now, poor Edy, is far more victimized than victimizing. She has returned to town with a new husband, an absolute sociopath. Through this season’s first episodes he has stalked the housewives’ elderly neighbor, the crotchety Karen McCluskey, a personal favorite. Heavens knows,what he will do next. That guy is dangerous! Okay, okay, I didn’t say it wasn’t a soap opera but it is back to being a top-notch one.
Americans have always needed a Sunday night show to end the weekend and to talk about at the office on Monday morning. During these stress-filled times don’t we want something to distract us? Rumor has it that Sarah Palin may even appear on an upcoming episode. So we’re back to watching “Desperate Housewives,” and its sweeps month. I am glad the women of Wisteria Lane once again are giving us something to talk about.
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